Know Your (Grown Up) Mighty Writers: Kelly Zen-Yie Tsai

November 17th, 2009


Grew up: “The northwest suburbs of Chicago, went to college at University of Illinois at Urbana-Champaign and lived on the north and south sides of Chicago. I’ve lived in Brooklyn for the last five years. All of these living experiences taught me a lot about different people who don’t always get represented in books, films or TV. It’s a big part of my mission as a Chinese Taiwanese American writer to show the complexities and beauty of life from perspectives that often get dismissed or overlooked.”

Writing inspirations: “Many people—from teachers to fellow poets to friends and family. What inspires me most is the energy in spoken word. When we can relate to each other’s stories, it helps you feel stronger and more vulnerable at the same time. It teaches that our stories are important to share and that inspires me.”

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Special Guest
Kelly Zen-Yie Tsai
Asian Arts Initiative Open Mic Night
Friday, November 20, 7:30 p.m.
Asian Arts Initiative
1219 Vine Street
Chinatown
Admission: $5-10 sliding scale.

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When I was little: “My mom would bring us to the library every week. My big sister would check out almost a dozen books and read all of them. I would try to be like her, but usually I didn’t get through half of them. I even volunteered at the library a few summers, got free tee-shirts and cleaned hard cover books with weird foam stuff. I loved to read Bunnicula, Encyclopedia Brown, the Lloyd Alexander Black Cauldron fantasy books, Lois Duncan’s scary stories, The Get-Along Gang and Berenstein Bears. I also loved books about Martin Luther King Jr., the Civil War, art and Egypt. Unfortunately, there weren’t very many books by or about Asian Pacific Islander American kids and our families at that time. I’m glad to see that today there are a lot more.”

Now I read: “Pretty much everything—fiction, non-fiction, poetry, psychology, drama, screenplays, sociology. Among my favorite books—Jessica Hagedorn’s ‘Dogeaters,’ Toni Morrison’s ‘The Song of Solomon,’ Ntozake Shange’s ‘for colored girls….’ Zadie Smith’s ‘White Teeth,’ Sherman Alexie’s ‘The Toughest Indian in the World,’ Jhumpa Lahiri’s ‘The Interpreter of Maladies,’ Stephen King’s ‘On Writing: A Memoir of the Craft,’ Dorothy Allison’s ‘Trash,’ Sapphire’s ‘Push,’ Ama Ata Aidoo’s ‘Our Sister Killjoy,’ Octavia Butler’s ‘Wild Seed’ and I’m starting Khaled Hosseini’s ‘The Kite Runner’ today.”

Favorite authors: “I really enjoy the artists listed above. I also really love political poets like Sonia Sanchez, Jimmy Santiago Baca, Ai, Nikki Giovanni, Etheridge Knight and Luis Rodriguez. I just started reading some of Sui Sin Far’s work. She was one of the first Asian American woman to be published in the U.S. in the late 18th century. I’ve seen many amazing poets—Regie Gibson, Marc Smith, Patricia Smith, Kent Foreman, Chuck Perkins, Tyehimba Jess, and Mama Maria McCray. I also get inspired by MCs and songwriters (Nas, Jay-Z, Common, Wale, Lupe Fiasco, Bahamadia, Jean Grae, Ani DiFranco, Raphael Saadiq). Plus screenwriters, some I’m just starting to get familiar with, like Charles Kaufman (‘Eternal Sunshine of the Spotless Mind’).”

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“Always carry a notebook with you. You never know when you might need it most.”

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Hardest thing about writing: “Switching between genres (poetry, fiction, essay, drama, etc.) is very challenging, but satisfying—a poet’s eye and ear, a journalist’s appetite for information and fairness, a playwright’s love of dialogue, an essayist’s subtle insights, a screenwriter’s ability to tell a story through pictures, an mc’s lyrical gymnastics in rhythm and rhyme. There are A LOT of different ways to read and different ways to write so I hope all Mighty Writers get the opportunity to find the form that suits you best for the story you want to tell.”

What I like best about writing: “It helps a shy girl to be able to be a loudmouth to the entire world. I’m a true introvert at heart, but as a writer and a performer I’m able to see, talk about, explore and communicate things I would never have been able to understand or feel as deeply if I didn’t have my pen and notebook, and an audience to share it with (although some of my poems and stories prefer to stay in my notebook).”

Advice for young writers: “Start one time more than you quit. I tried to quit writing so many times, but it just kept coming back to me. So if it keeps creeping back into your life and you have a hard time accepting its rightful place, just remember that if you quit two times, start writing again three times and you’ll be good. That, and always carry a notebook with you. You never know when you might need it most.”

Kelly Zen-Yie Tsai is a Chinese Taiwanese American spoken word artist who has performed her poetry at over 350 venues worldwide. including three seasons on “Russell Simmons Presents HBO Def Poetry.” Winner of a 2007 New York Foundation for the Arts Urban Artist Initiative Award, she was listed as one of Idealist in NYC’s “Top 40 New Yorkers Who Make Positive Social Change” in 2008 and AngryAsianMan.com’s “30 Most Influential Asian Americans Under 30” in 2009. She has shared stages with Mos Def, KRS-One, Sonia Sanchez, Talib Kweli, Erykah Badu, Amiri Baraka and many more. You can learn more abour her at yellowgurl.com.

Photo/Kevin Kane

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Know Your Mighty Writers

Kahlaa Cannady & Christian Precise

Jason Fagone

Angel Hogan

Annette John-Hall

Solomon Jones

Mary Beth Keane

Lauren McCutcheon

George Miller

Luca Nguyen

Anthony “Tony” Oliver

Ashley Parker

Liz Spikol

Suhaylah Stones

Duane Swierczynski

Ben Yagoda

Mighty Song of the Day

November 16th, 2009

“No More Drama,” Mary J. Blige, Grammy Awards, 2002

Writing! This Saturday! 1pm!

November 16th, 2009


What: “How to Write Stories about Real People”
For who: Kids 12 to 15
Workshop leader: Ben Yagoda
When: Saturdays 1 to 2:30pm
(Nov. 21, Dec. 5 and Dec. 12)
To register, call: 267.239.0899
Or email: rloeper@mightywriters.org

Read about Ben Yagoda here.
Salon Review: Ben’s new book “Memoir: A History” here.
Buy Ben’s new book here.

Precious Exposure

November 14th, 2009


The many social critics who felt Precious had too depressing a theme to make money are being proven wrong.

“The $10 million picture has now grossed just under $9 million, and it’s just getting started,” says film critic Scott Mendelson. “The film is all but guaranteed to receive several major Oscar nominations, and it will go wider next weekend.” (Huffington Post)

The boffo grosses comes as great news for director and Philadelphia native Lee Daniels, whose previous feature films played soft at the box office.

Daniels’ success is bringing lot of attention to Philadelphia, most good, but not all.

On one hand, Daniels says he has a renewed appreciation for his hometown, where he has shot almost all his films. “It was almost cathartic,” says Daniels, “because I was home and I was able to give back by employing people I grew up with.” (Black Enterprise)

Conversely, never one to sugarcoat his feelings, Daniels told this movie trade website: “… where I grew up in Philly, it was ROUGH. It was not pretty, and it’s even rougher now. I went back and I can’t believe it’s even rougher, like boarding up houses. It looks like Iraq. It’s hard.”

Mighty Song of the Day

November 14th, 2009

“Killing Me Softly,” Fugees and Roberta Flack, ’96

Does “Race to the Top Fund” Still Allow the Unqualified to Teach in Schools Serving Poorest Students?

November 13th, 2009


The New York Times says the facts on the ground remain inescapably clear: “Children in poor neighborhoods will continue to be poorly served at school until Congress pushes the states to provide them with better, more effective teachers.”

A children’s advocacy group, The Education Trust, says nearly every teacher in the country is deemed “highly qualified” because states are allowed to come up with their own definitions, and the metrics obscure any differences in effectiveness.

“Poor kids and kids of color always get the short end of the stick,” the Trust’s Amy Wilkins told the AP.

NYT editorial here.

AP story here.

The Education Trust: 10 steps state policymakers and school leaders can take that can make a difference in equitable access to the best teachers for low-income students and students of color—here.

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Also: Looking to enroll your child in private, parochial or another tuition-based school? You may qualify for new scholarship money from Children’s Scholarship Fund Philadelphia. Online application here.

Mighty Quote of the Day

November 13th, 2009

“A poet is anybody who wouldn’t call himself a poet.”

—Bob Dylan

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Quiet Girl
I would liken you
To a night without stars
Were it not for your eyes.
I would liken you
To a sleep without dreams
Were it not for your songs.

—Langston Hughes

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Stuff We Didn’t Want You To Miss

November 12th, 2009

If at the end of this endless crummy-economy-old-media shakeout there’s only one magazine left standing, wouldn’t most of us want it to be this one?

Assuming they can keep editorial quality at a high level?

“If The New Yorker is going to be worthy of the name… ” says the magazine’s editor David Remnick, “… we can’t do it with a minuscule staff.”

Translation: No Conde Nast cutbacks here, thank you. Rest of New York Observer story here.

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Remember when we said how much we like that new NPR lit column, the one where the staff talks about books they’re reading?

Wait, you do remember?

Well look, here’s the second edition.

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Talk about our kind of teach.

Carol Tilley, a University of Illinois professor, says she’s determined “through research” that comic books are “as sophisticated as other forms of reading” … and children “benefit from reading them at least as much as they do from reading other kinds of books.”

Says Tilley: “If you really consider how the pictures and words work together in consonance to tell a story, you can make the case that comics are just as complex as any other kind of literature.”

So what if she said all this on a website that calls itself The Escapist?

The woman’s a professor.

And she used the word “consonance.”

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If you were to try and guess which movie actor has the coolest site on the Whole World Wide Web…

… would you have thought of this gentleman?

Yep. Check it out.

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Though Stephen King may never have gotten much in the way of literary kudos, he sure could chuckle on the way to the bank.

Now he’s getting the literary props too.

Here, in today’s NYT.